The epidemic discussed in this song was the cause of the War on Drugs, which claimed the lives of about 40% of the black population in New York City in the 80s/90s. Thurston Moore sang about the widespread crack epidemic in New York City in this song. It is the longest track on the Daydream Nation album of 1988. When looking for the song, it indicates the stretching out and extrapolating properties of Sonic Youth The Sprawl is the song. The latter part of this song features broken riffs, a wind-down of pounded guitar strings with noisy but not loud feedback. This song revealed the drone elements of the band. This property was used to express the unbound female desire. The lyrics for the first verse of the song were from the novel by Dennis Johnson, The Stars at Noon. This writer used the term, Sprawl, which is the title of the song, to mean a future megacity stretching from Boston to Atlanta. This song was inspired by the works of William Gibson, a Science fiction writer. The song rounded off with Gordon’s soft and intense vocals. This song features various phases of mellow with hardcore punk and alternate tunings. Kim Gordon was the lead vocalist in this song while Lee and Moore’s dueling cacophonous guitars howl over the high-speed drum beat of Shelley. Despite the nasal swabbing, mask wearing and obsessive hand washing, the whole endeavor has given us a much-needed sense of normalcy.This song is one of the tracks in the Daydream Nation album of 1988. It has been a logistical challenge pulling this off while carefully observing restrictions and protocols. We wanted to play a proper show with our band - the one we had spent so much time preparing in January. We wanted to do more than an acoustic set from home. “Once live music was effectively canceled, Patrick and I started working on a way to make it up to ourselves, our band, and to you. “This announcement has been a long time coming,” says Moore. Tickets for “live: in the void” are on sale now via. Meanwhile, “live: in the void” will feature direction by Tennis’ longtime visual collaborator Luca Venter, and find the duo joined on stage by their band for the first time since quarantine began. This song is really just me carrying a torch for her.” I feel a strong pull toward women whose creative contributions were cut short by their untimely deaths - Laura Nyro, Judee Sill, Trish Keenan, and of course Karen Carpenter. The result is something that doesn’t really sound like Tennis or the Carpenters, which we really liked. This led us to take a lot of liberties, including writing a bridge that doesn’t exist in the original. Our goal with ‘Superstar’ was to re-cast her voice in the context of a different band in a different era. “Her voice is so distinctive, I can always imagine her interpretation of a song regardless of genre. “Karen Carpenter is a major influence on my writing,” says Moore. It follows this past February’s remarkable fifth studio album Swimmer, and sets a tone for Tennis’ “live: in the void” livestream performance this Saturday (October 17). Tennis’ “Superstar” takes its cue from The Carpenters’ version, much like the beloved Sonic Youth cover from ’94, and was produced by the duo’s Patrick Riley and Alaina Moore in their hometown of Denver. So when we came across Tennis‘ new interpretation of Delaney & Bonnie’s classic single “Superstar,” made famous by The Carpenters in the early-’70s, it seemed like a perfect match. Some covers are more obvious than others, and some just feel like destiny.
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